new workshop aikido/impro-dance in February !

Instant composition performance and aikido principles – I explored this theme for one weekend with some dedicated dancers and aikidoka’s in October, and we now decided to pick a date directly for a 2nd edition in February!

You are welcome to join us.

Experience in either improvisation dance or aikido required (at least one of the two). Tell us you are interested by also telling us a bit about your experience – apply through the website of Dansimprovisatie Utrecht.

The Moment of Contact

7 + 8 February 2015, 10:30-16:30 – Utrecht

aikido_moment

Aikido training has many things in common with Contact Improvisation (strong sense of centre, flow, yielding to the partner’s movement) but being a martial art, some things are decidedly different. The fact that you work with an opponent means that timing and distance are crucial. The moment of contact, or more precisely the moment just before the contact is where everything is decided.

As timing is also crucial for improvisation performers, we will spend this weekend researching timing, flow and making bold decisions (at the right time  :-) ).

​We will train our bodies to be physically and mentally “on time” by discerning between almost contact (when no real commitment is given to the moment), full contact (when there are no options anymore) and the moment of contact when for both imagination and physical reality, all options are still open.

In aikido, it is the moment where you either yield to your partner (becoming one) or pro-actively move in, creating a new situation. Therefore, it is also a moment that asks for unhesitant action. In dance improvisation we sometimes loose ourselves in the flow of movement, which in performance context can become problematic. Aikido training teaches us to combine flow with crisp choices and our openness/availability to ‘what is’ with the courage to seize the moment and make it your own.

This workshop is recommended for all physical improvisers who want to strengthen their ability to instantly compose, but also for aikido practitioners who are interested in dance improvisation. Would be exciting to have a mixed group of improvisers and aikidoka’s on this weekend!

The workshop is organised by Iris van Peppen and Dansimprovisatie Utrecht&Amsterdam (DIU&A). To inscribe for the workshop, visit www.dansimprovisatie.com or write to info@dansimprovisatie.com

(full info on the workshop is here)

————————————————–
Thomas Johannsen

www.thojoh.com

 

Wonderland tomorrow…!

Wonderland_publieksfoto_rotterdam

There’s another edition of Wonderland tomorrow (Saturday 13th) in MLK Amsterdam where I will be dancing & ‘musicking’ along with some very fine colleagues and a lot of kids:

dance: Silvia Bennett, Gilberto Perotti, Thomas Johannsen, Makiko Ito
music: Alfredo Genovesi, Yedo Gibson, Renato Ferreira
Saturday, 13 December 2014, 15:30
 de Maarten Lutherkerk, Amsterdam Zuid
15:30 start
Dintelstraat 134
1079 BD Amsterdam
Come and bring your kids!

“The Art of Change” in the Akoesticum

Originally posted on Genetic Choir:

On the 6th of November 2014, there will be an introduction to the Genetic Choir method in the Akoesticum in Ede (NL). This workshop is part of a 2-day conference “De Kunst van Veranderen” (“the art of change”), which addresses the current challenges and interests of musicians and art makers when working either community-based, with new working methods or with unusual audiences.

Thomas will give a workshop/lecture about the Genetic Choir in the afternoon between 3 and 4:30.

Also the rest of the conference is very much worth you attention (Dutch language, though). Look for the whole program here.

View original

Aikido and Improvisation Dance Performance

Many asked me to give a workshop about this, now it is due to happen:

Using aikido principles to create instant composition pieces!

Let us know until Friday (Oct 3rd) if you would like to join:

The Moment of Contact

11+12 October 2014, Berenkuil, Utrecht

aikido_moment

Aikido training has many things in common with Contact Improvisation (strong sense of centre, flow, yielding to the partner’s movement) but being a martial art, some things are decidedly different. The fact that you work with an opponent means that timing and distance are crucial. The moment of contact, or more precisely the moment just before the contact is where everything is decided.

As timing is also crucial for improvisation performers, we will spend this weekend researching timing, flow and making bold decisions (at the right time  :-) ).

​We will train our bodies to be physically and mentally “on time” by discerning between almost contact (when no real commitment is given to the moment), full contact (when there are no options anymore) and the moment of contact when for both imagination and physical reality, all options are still open.

In aikido, it is the moment where you either yield to your partner (becoming one) or pro-actively move in, creating a new situation. Therefore, it is also a moment that asks for unhesitant action. In dance improvisation we sometimes loose ourselves in the flow of movement, which in performance context can become problematic. Aikido training teaches us to combine flow with crisp choices and our openness/availability to ‘what is’ with the courage to seize the moment and make it your own.

This workshop is recommended for all physical improvisers who want to strengthen their ability to instantly compose, but also for aikido practitioners who are interested in dance improvisation. Would be exciting to have a mixed group of improvisers and aikidoka’s on this weekend!

The workshop is organised by Iris van Peppen and Dans Improvisatie Utrecht (DIU). To inscribe for the workshop, visit www.dansimprovisatie.com or write to info@dansimprovisatie.com

(full info on the workshop is here)

————————————————–
Thomas Johannsen

www.thojoh.com

 

Review of Genetic Choir’s “Early Years” CD

Thomas Johannsen:

Genetic Choir got noticed in the UK…

Originally posted on Genetic Choir:

There has been a lovely review of our CD on the website of “The Sound Projector“, a UK-based Music Magazine & Radio Show!

Click here to read it on the Sound Projector website, or scroll down to read below. Got curious? You can order your copy of the CD here or get it on one of our concerts.

SoundProjector label

BLUE GENES & PHONEMES

 The Genetic Choir

The Early Years 2011-2013
NO LABEL CD (2013)

It’s a tribute to a group’s confidence in their individuality and future when their debut CD earns the title Early Years,

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Interdisciplinarity + Improvisation @ T.I.M.E.

My season starts (after a pre-seasonal hype of two Genetic Choir concerts in a row in August) with guest-teaching the new equipe of Master students at T.I.M.E. in Leiden.

TIMEThis Master study is part of the Royal Conservatoire in the Hague and connected to Paul Koek’s Veenfabriek. The school is meant for interdisciplinary performers/makers of any arts discipline to study on and invent their own music-theatre (with the ever dooming question: “What is music-theatre, actually?”)

With me, they will explore how to collaborate in interdisciplinary setting and use improvisation principles as a lens through which their own training background and what they want with it will come into clearer focus.

Looking forward to it!  Teaching there in January this year was challenging and fun, and I expect nothing less of this new group of students.

 

 

 

Sharing a performance studio in Amsterdam?

I  am looking for performers of any discipline who are interested to share the rental of the studio that we are using at the moment for the Carpet Research Sessions and the development of the Interdisciplinary Improvisation Knowledge Base (improvisation.wiki) in Amsterdam.

It is a studio very close to central station and we rent it for a whole season, every Thursday from 13:00-17:00, to have it available for the Improvisation Research.

There’s a wooden dancefloor in the studio and it is very spacious and light. A pleasurable place to be.

However, the studio is only in use infrequently for this initiative, so it would be great to have a few individuals who are interested to use the studio for their own purposes every now and again (on Thursday afternoons). We were with a group of 5 performers sharing the basic costs last season, but we need some replacements.  :-)

Do get in touch with me if this sounds interesting to you and you would like to know more!

Thomas

(contact page, click here)